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I am a big of David Fincher's work, when I realized he was going to make a film about the creation of Facebook, I was really excited. I came in the movie with huge expectations, and hopeful that it would turn out great. I have to say, I was impressed, my expectations were not only met, but they were blown away. The Social Network easily rivals Fincher's previous works like 'Fight Club' or 'Se7en'. Aesthetically the film is very beautiful, its very 'Fincher'. It has a very perversely attractive appeal, a glimmering awfulness, as it was lit from within. David Fincher deserves an Oscar for Best Director, he is extremely underrated by the Academy.

Hopefully this film will finally bring Fincher in a new light. The actors did an amazing job, they should all be recognized for their work in this movie. Jesse Eisenberg did an amazing job playing Mark Zuckerberg. Hopefully he will not be known as the next Michael Cera anymore. With this film, he established himself as a serious actor and he will have a bright future ahead of him. Andrew Garfield also did an amazing job as the co-founder of Facebook and the best friend of Zuckerberg. He deserves an Oscar nom and I hope we'll be seeing more of him in the future.

The rest of the cast did a fine job and also hoping seeing them in the future. I recommend this movie to everyone, it deals with betrayal and greed.

The movie definitely deserves an Academy award for Best Picture. It is extremely revalent for our times and many years to come. I consider this movie is a fine piece of modern filmmaking and probably will be considered as a classic in the future. So if you're not doing anything tonight, you should spent an evening in theaters to watch The Social Network. There is something wrong with this film like it was put though a filter of some type to remove any real humanity, unless that is the point.

I'm not a psychiatrist but Mark Zuckerberg as portrayed by Jesse Eisenberg in the film seems to suffer from some kind of emotional agnosia..and so does the film. I was looking forward to this film and I had fun watching it, but as I thought about it afterwards, all I could remember were the squandered opportunities the film had to actually tell a moving story about friendship and loyalty that got wrecked by a cool business venture that became much too successful way too quickly. Both Aaron Sorkin and David Fincher have both said The Social Network is not really about the 'Facebook saga' with Sorkin even being so bold as to claim the basic story goes all the way back to the Greek dramatists. He has a point, so what do you think, would Aristophanes have been a MAC man or a PC user?

Truly, you won't find a better emotional core to build a drama around than the relationship between best friends Zuckerberg (Jesse Eisenberg) and Eduardo Saverin (Andrew Garfield). That bromance is the heart of The Social Network and the film kept getting close to this emotional territory but then it would crash like an overloaded network and flit to other characters not important to the main story. For example, the machinations of the Winklevoss twins are comic relief elevated to main story arc status. The self-righteous anger they feel and the lengths they go to seek revenge play like Margaret Dumont fighting with Groucho Marx.

It's very satisfying to see these overly entitled, great white hopes become dismayingly angry that things didn't go exactly the way they wanted them to for probably the first time in their lives. The Social Network develops a sharp edge to it in these scenes from their characters genuine feelings of an entitlement snatched away from them by a clearly undeserving cretin and the actors play it for all the high comedy they can.

But the main bromance is tested when the sexy, charming, persuasive entrepreneur Sean Parker (played to paranoid perfection by Justin Timberlake) comes in well over an hour into the film and starts finding ways to turn Facebook into a mega-money making operation all the while charming the pants off Mark Zuckerberg; much to Eduardo's sad eyed jealousy. At this moment, The Social Network could become an ancient Greek drama in more ways than one. But it doesn't. Instead, we just get more back and forth cutting between depositions and lawyer meetings, which are interesting and could have provided clues into the characters, but don't. Apollo 13 mkv rapidshare downloader free. These scenes were the biggest missed opportunities in the film. Another squandered moment, why can't we see the scene where Zuckerberg goes into an investment banker's office in his bathrobe and slippers to deliver a Sean Parker bird-flip? Will Zuckerberg realize that making good on revenge for others is totally unsatisfying?